How did Sinfonia Smith Square’s Fellowship prepare you for a career in music?
It gave me a chance to work through a lot of repertoire and get a feel for orchestral life. At Sinfonia Smith Square, we generally rehearsed 10–5, Monday to Wednesday, and then had a concert on Thursday. This is very similar to the schedule I now have with Bournemouth Symphony Orchestra.
During my Fellowship year, we performed Brahms’ Second Symphony a few times, and so when I later player it with the LPO and Bournemouth, I already felt confident and prepared. Beyond the music, it was great to build friendships in Sinfonia Smith Square. The social side was just as valuable as the professional experience.
What was your highlight moment in the Fellowship?
Performing Mozart’s Sinfonia Concertante with Tayfun Bomboz and conductor, Sian Edwards, was really special. I’d played it with my best friend before leaving music college, so to revisit it was wonderful.
We also performed Rachmaninoff’s Second Piano Concerto at Snape Maltings. It was emotional looking out and seeing all my friends in the orchestra really giving it their all, loving the experience, and knowing that we were all making good music together.
Do you have any advice for people wanting to embark on a musical career?
If you want to pursue music, it’s natural to worry about being self-employed and not having financial security. But you’ve got to trust the process, work hard, and things will work out. When I was getting towards the end of my undergraduate degree, I was worried as I didn’t know what I was going to do. I thought I’d have to do a postgraduate degree, but knew I couldn’t fund it myself. And then Sinfonia Smith Square came along. And then when it came to the end of the Fellowship, again I was worried about being unemployed and having no money, but LPO Future Firsts came in, and then that gave way to Bournemouth Symphony Orchestra.
Do the hard work and graft early so that later when it does get busy and life gets in the way, you won’t have to stress as much.