Beethoven’s theatrical overture opens the evening with drama and intensity. Heroic motifs clash with tender melodies, bold brass and percussion meet moments of introspection. The result: a gripping musical clash of power and passion.

Adams’ Christian Zeal and Activity offers a moment of reflection. In this performance, the ensemble’s own voices are woven into the piece through a specially created audio collage. Sharing their thoughts about the year ahead, it’s a portrait of a group brought together from across the world to create something new in London’s musical landscape.

That sense of crossing borders continues with Korngold’s rich, cinematic music, written after his escape to America, and Weill’s Symphony No.2, composed in exile and brimming with restless energy and biting irony. It’s a masterful modernist statement that resonates long after the final note.

Together, these works form a programme shaped by connection, collaboration, and cultural exchange. It’s a reflection of Sinfonia Smith Square itself: a community of musicians from many places, sharing their artistry and stories on one stage.